R E B E C C A H A C K E M A N N
w w w . r
e b e c c a h a c k e m a n n
. c o m
S O L O E X H I B I T I
O N S
2 0
1 1
LMCC,
Urban Field Glass Project, site specific interactive public art project,
Chinatown New York, NY
DOT Artpartners
Grant, The Urban Field Glass Project, site specific interactive public art
project, Brooklyn,
New York, NY
NB: Both
projects above are fiscally sponsored by the New York Foundation for the
Arts Fiscal Sponsorship Program
0 9
- 11 AAI Philadelphia,
Visionary Sightseeing Binoculars, permanent site specific public art project,
Philadelphia, PA
2 0 0 9 Waldemar A. Schmidt Gallery, Adventures in Perception,
Wartburg College, Waverly, IA
2 0 0 4 Fish
Tank Gallery, Sight Unseem, Dioramas and
Stereoscopes with Jihyun Park, Brooklyn, NY
2 0 0 3 The
Inc., "In Stereo",
Hamilton, ON, Canada
2 0 0 7 Article
Projects, public art project in window, curated by David Gibson, Greenpoint, Brooklyn, NY
1 9 9 9 Sightings
Gallery/ Collaboration, San Francisco, CA
1 9 9 6 Sightings
Gallery/Collaboration, San Francisco, CA
2 0 0
8/TBD California Museum of Photography
UC Riverside,
"Illusions", traveling historical exhibition on the theme of
optical illusion and it's history
E D U C A T I O N
PhD Studio Art,
University of the Arts London / Wimbledon College of Art (practice based, PT)
(CCW), London, UK
2 0 0 0
– 01 Studio Fellow, Whitney Museum of
American Art Independent Study Program, New York, NY
1 9 9 4 - 9 6 MFA Studio Art Practice, Stanford
University, Stanford, CA
1 9 9 1 - 9 4 BFA (Honors) Film, Video and
Photographic Arts, University of Westminster (formerly PCL), London, England
S
E L E C T E D G R O U P E X H I B I T I O N S
2 0 1 1 Triangle Space, Multiple Authors
& Previous Owners, curated by Chlo Hipeau, Wei Guo and Amanda de
Pablo, CCW (catalogue, essay by Neil Cummings), London, UK
Rutgers,
The State University of New Jersey, Paul Robeson Galleries; Lift
Off: Earthlings and the Great Beyond, Newark, NJ (100 page catalogue)
Agency of Unrealized Projects
(AUP) archive, an e-flux project in collaboration with the Serpentine Gallery, devised by Julieta Aranda, Hans Ulrich Obrist, Julia
Peyton-Jones and Anton Vidokle, Basel, Switzerland
2 0 1 0 Hunter
College Times Square Gallery, Smoke + Mirrors / Shadow + Fog, curated by Tracy
L. Adler and Mara Hoberman,
(catalogue), New York, NY
UNI
Museum, Object as Subject: Artists Explore the Museum
Collection, curated by Scott Hudson, Cedar Falls, IA
Left
Forum Conference 10, exhibition of political art projecitons,
New York, NY
2 0 0 9 Thomas
Jaeckel Gallery (532 Gallery), Strength in Numbers,
curated by David Gibson, New York, NY
(date TBD)
Visionary Sightseeing Binoculars,
permanent site specific public art project funded by AAI as part of the
Chinatown IN/Flux series, Philadelphia, PA (3 months)
Left Forum, Conference, 09, New
York, NY
Tunnel Space, F.I.T., The Ghosts
of Colleridge, curated by F.I.T. MA graduate
students in curatorial practice, catalogue, essay by Cameron Shaw, New York, NY
2 0 0 8 301
Gallery, Montserrat College of Art, PEEK site specific window project, Beverly,
MA
Site Specific Public Art Pieces,
Visionary Sightseeing Binoculars (3 months initial exhibition)
2 0 0 7 Marcia
Wood Gallery, click/shift/enter, group exhibition, catalogue, Atlanta, GA
Apex Art, "The Most
Curatorial Biennial of the Universe", New York, NY
Novosibirsk State Art Museum,
Face to Face: Political Portraiture in American Art, curated by Yulia Tikhonova,
5th Novosibirsk
International Biennial, Novosibirsk, Siberia (Russia)
Christies, Sweetarts
auction, Christies, New York, NY
Copy Gallery, Here and Now,
Philadelphia, PA
Seed Project, artist collective
environmental project, Winkleman Gallery, New York,
NY
2 0 0 6 Gigantic
Artspace, The Golden Hour, curated by Erin Donnelly
and Susanna Cole, New York, NY
Felicity R. Bonoliel
Gallery, CFEVA, From the Studio III, curated by Lia Gangitano, Participant Inc. Gallery, New York,
Philadelphia, PA
Rider Project, mobile art shown
in collaboration, cell2cell2CELL, various locations in New York and Brooklyn,
NY
PS 122, InterState,
group exhibition, New York, NY
Artist Space, Night of 1000
Drawings, open exhibition, New York, NY
The Foundry, draw_ing_2, uncurated
by Giacomo Picca, London
Biennale 2006, London, UK
Casoria International
Museum of Contemporary Art, self portrait – a show for Bethlehem,
curated by Wilfried Agricola de Cologne, Naples,
Italy
Synthetic Zero Space, curated by Mitsu Hadeishi, sponsored by
Bronx Council on the Arts, Bronx and New York, NY
2 0 0 5 Makor/Steinhardt Center, Real Art Today, exhibition in
conjunction with artists talks, curated by David Gibson, New York, NY
AAF Art Fair, blasthaus
(of SF, CA) booth, New York, NY
Seed Project, Artworld
Digest Magazine, New York, NY
Explosivo
Art Show, Stay Gold Gallery, curated by Tracy Candido,
Brooklyn, NY
Photo sf
art fair, blasthaus, booth 34, San Francisco, CA
Headlands Center for the Arts, open studios as part of 3 month residency, 4/24/05, CA
Aratoi
Museum in Masterton, postcard exhibition organized by
Nicolas Dumit Estevez, Masterton,
New Zealand
Spike Gallery,
curated one day exhibition for benefit, New York, NY
Nurture Art Gallery, Paper, Papel,
Papier, Williamsburg, Brooklyn, NY
2 0 0 4 Arrival:
intimate Spectacles, curated by Heng-Gil Han,
Flushing Town Hall, a Smithsonian Institution, Queens, NY
Timeless/Timeliness, curated by
Dominique Nahas, catalogue available, Aljira Emerge 2003, Newark, NJ
London Biennale 2004, Draw_drawing, Gallery 32, curated by Giacomo
Picca, London, UK
Los Angeles Center for Digital
Art, Snap to Grid, Los Angeles, CA
Picture House Center of Photography,
Leicester, UK
2 0 0 3 Lower
Manhattan Cultural Council (LMCC),
group exhibition, New York, NY
Fishtank Gallery, group show, Brooklyn,
NY
Yaddo residency, one month (April) Saratoga Springs, NY
Nurture Art, group exhibition
"2 FRESH" , Williamsburgh/
Brooklyn, NY
16 Beaver Group, "Operation
Now, Wow and How", curated by Marc Lepson,
private space, New York, NY
Anti - War Poster Show, Drinkink Collective, Macy Gallery, Columbia University, New
York, NY
2 0 0 2 Art*O*Mat -- 'don't go round
artless' vending machines, various locations including the Whitney Museum of
American Art
and New Museum Bookshop, New York,
NY
Printed
Matter, "The Ideal Sight Restorer" and "The Autopsy of an
Historian", New York, NY
Sotheby's New Collectors,
"Moments of Clarity: A Midsummer Night's Interlude", Sotheby's,
NYC, NY
Light Work residency, one month,
Syracuse, NY
Autoritatto, artists portray themselves,
curated by Stafano Parquini,
Bolognia, Italy
The
European Biennial of Contemporary Art, 'Free Manifesta',
Frankfurt, Germany
Exit
Art, "Reactions", reactions to 9/11, New
York, NY
Nurture
Art, 'Fresh' box,
benefit, New York, NY
Hallwalls, Buffalo, NY
2 0 0 1 Whitney Museum of American Art
ISP exhibition, New York, NY
New
Arts Program, Kutztown, PA
Open
Space Gallery, "Fractured Family", Allentown, PA
2 0 0 0 Photo
Metro Magazine, Honorable mention, editor: Bill
Hunt/Halsted Hunt Gallery, New York, NY
New
Jersey Center for Visual Arts, curator: Dan Cameron/New Museum
of Contemporary Art, NYC, Summit,
NJ
1 9 9 9 Clement
Gallery, "Dinner with Dali", Toledo, OH
Fraser
Gallery, "Homage to Dali", Washington, DC
Open
Space Gallery, "Awkwardology", Allentown,
PA
1 9 9 8 Hallwalls, "Books and Boxes" Buffalo, NY
Highland
Cultural Center, curated
by Paul Kasmin Gallery, Highland, NY
Works
Gallery, "Evoking the Unexpected", San Jos, CA
Sightings
Gallery, "Small Works - Big Ideas", San Francisco, CA
1 9 9 6 Four
Walls Gallery, San Francisco, CA
Photo
Metro Gallery,
group exhibition for magazine, San Francisco, CA
Stanford
University Museum of Art, MFA Exhibition, Stanford, CA
Central
Arts Collective, "Merged Realities", Tucson, AZ
Printed
Matter, "Scaled Down - a Handbook for Fishes about Humans", New York,
NY
1 9 9 5 Photo Metro Gallery, group exhibition,
San Francisco, CA
City
of Brae Gallery, "Carte Blanche", Los Angeles, CA
Woman
Made Gallery, "Women and Surrealism", Chicago, IL
1 9 9 4 University
of Westminster, BFA Exhibition, London, England
C
O L L E C T I O N S / B O O
K S
MOMA book
collection, New York, NY
Muse Franais
de la Photographie, Bievres,
France
Fondation Suisse pour la Photographie,
Zrich, Switzerland
Staatliche
Museen zu Berlin, Kunstbibliothek, Berlin, Germany
Museum
fr Moderne Kunst, Frankfurt, Germany
Museum
fr Photographie, Braunschweig, Germany
Special
Collections, Green Library, Stanford University, Stanford, CA
HUB
Gallery, We Multiply artists book collection,
curated by David Dellafiora, Greelong,
Australia
Sightings
Gallery/Richard Schoepke, San Francisco, CA
The Pinhole Resource,
Printed Matter, New York, NY
Light
Work, Syracuse, NY
The Corporation of Yaddo, Saratoga Springs, NY et. al.
C U R A T E D
S L I D E R E G S T R
I E S
The Drawing Center, Viewing
Program – Artist Registry, New York, NY
Philadelphia Percent for Art
Website, Philadelphia, PA
B
I B L I O G R A P H Y
S E L E C T E D
C A T A L O G U E S
Institute
for Urban Design,
By the City/For the City, (ed. Anne Guiney and Brendan Crain), 2011, (ISBN:
978-0-9820861-1-7) p. Multi-Story Books, funded by Rockefeller Foundation, New york,
NY
Rutgers
at NJ State University,
Lift Off: Earthlings and the Great Beyond, 2011
(ISBN: 978-0-9795167-9-5)
p. Paul Robeson Galleries, Newark, NJ
Hunter
College Times Square Gallery,
Smoke + Mirrors, Shadow +Fog, (ed 1000), Hunter
College, New York, NY
F.I.T., The Ghosts of Coleridge, catalogue to accompany exhibition, essay
by Cameron Shaw, F.I.T., 2009, New York, NY
PageOne/Loft
Publications Spain,
Unique Window Display Handbook, 2009 (ISBN978-981-245-773-8), 4 double page spreads
of PEEK!, curated by Real Form Projects, Barcelona,
Spain
Marcia Wood Gallery, catalogue to
accompany exhibition click/shift/enter exhibition, Atlanta, GA, 2007
Aljira Center for Contemporary Art, Emerge
2003, catalogue to accompany exhibition, essay by Dominique Nahas,
Newark, NJ
Light Work, Contact Sheet, catalogue as
par of one month residency, 2003, (ISBN: 0-935445-32-3), Syracuse, NY et. al.
B
I B L I O G R A P H Y continued Rebecca
Hackemann
N
E W S P A P E R S A N D M A G A Z I N E A R T I C L E S
Stanford Magazine, Jan. 2009 issue,
feature article on Visionary Binoculars public art project in Philadelphia, PA
City Paper, April 2009, Feature article
on InFlux project, written by Ptah
Gabrie, Philadelphia, PA
http://citypaper.net/articles/2009/04/16/chinatown-influx-future-landscapes
Waverly Democrat, 3/17/09, Adventures
in Perception, 2009
KWAR, Radio Interview, 7pm Knightwire, 3/15/09, 2009
San Francisco Chronicle,"Artist
at work - Creating art outside the box - No limits: Headlands Center for the
Arts pushes boundaries", Friday, April 22nd, 2005, by Ulysses Torassa, Chronicle Staff Writer
-
http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2005/04/22/NBGRSC9B0C1.DTL&type=printable
- Artworld Digest, Seed Project, 2006/7, New
York, NY (www.artworlddigest.com)
-
The New York Times, "Young
and Provocative, Time is on their side", September 12th, 2004, by Benjamin Genocchio
- Stereo World, Rebecca Hackemann Reinvents Stereo
Photographic Art Form, 4 page article and back cover, Jan/Feb 2006
-
Cambridge Eye, Cambridge School of Arts Alumni
paper, active alumni portrait, 2006
-
3rd floor Magazine, issue 3, August, 2005,
portfolio image
-
The Sunday Star Ledger. "Aljira Emerge 2003 presents amazing examples of
technique".
August 15th 2004, by Dan Bischoff
-
"Sight Unseem
- at Fishtank Gallery in Brooklyn", March, 2004, by Sara Klar
-
Broadband Properties Magazine,
"Broadband, HDTV, and Video Art - An artistic window with a view towards
next
generation broadband services"; June 2005; by Bruce Bahlmann, owner of www.Birds-Eye.Net
-
http://www.birds-eye.net/article_archive/broadband_hdtv_video_art.htm
-
Crain's New York Business,
"Arts Group Shows Promise", Sept/Oct, 2003, by Emily deNitto
-
WWD, "Art in Brooklyn", November 20th, 2003
-
Contact Sheet, Essay on
photographs by Rebecca Hackemann, published by Light Work Annual, 2003 by Christopher K. Ho
(accompanied by 6 pages of 9 images)
-
NY Arts, Choice and Consultation
at The HOTEL DE LA MOLE: an alt-biannial, ?/2002, by Horace Brockington
-
Gusto, Art, The Art of the
Game, Jan
18th, 2002, by Richard Huntington
-
Photo Metro Magazine, Photo
contest winners, 2
images, juried by Bill Hunt, 2001
-
Field Study, We Multiply!
– a field study Publication, catalogue, 2002, Australia
-
The Morning Call, Artists
interpret Fractual Families, March 25th, 2001, by
Tony Sienzant
-
The Morning Call, Open Spaces Awkwardology humorous and uncomfortable, 1998, by Geoff Gehmann
-
Umbrella, Artists Books at
Printed Matter, review
of the book Scaled Down, vol. 20, no 1.,
January 1997
-
Photo Metro, announcement for Photo Metro
contest winners, 1999
-
The Washington Times, Notable
and New, announcement/review
listing, "Salvador Dali: a modern homage to a modern icon", Fraser
Gallery1999
-
The Minds Eye, 10 pages of
images, vol.4
no. 2, 1996
-
The Buffalo News, At Hallwalls, the world in an untidy set of boxes, Feb 13th, 1997, by
Richard Huntington
-
The Stanford Daily, announcement and image, review,
by Wendy Lee, June, 1996
-
The Palo Alto Weekly,
announcement, image and article, (writers name lost as well as date), 1996
-
The Arizona Daily Star, Merged
Realities, 1996,
by Danielle C. Malka
- The Minds Eye – a Stanford Journal of Expression, Stanford, CA, 10 pages of images, 1996