| |
Rebecca
Hackemann’s 360° anamorphic drawings explore cultural and
historical ideas surrounding the mirror and it’s reflection, vision
and perception. They incorporate the cylindrical mirror as an intrinsic
part of their meanings. Using fairy tales, psychoanalytical and historical
references such as Alice in Through the Looking Glass (sequel to Alice
in Wonderland), Jacques Lacan’s mirror phase and the myths of
Narcissus, anamorphic ink drawings are created that have two sides.
The viewer walks around the drawing and its cylindrical mirror to see
another related drawing opposite on the same piece of paper. In the
case of Alice in Wonderland, one side shows her going into the mirror,
the other side her coming out of it – the mirror becomes a metaphor
for ‘The Looking Glass House’ itself.
This
Drawing show a drawing, that is vain, meaning, it is looking back at
the viewer. It is in fact a drawing of an anamorph of an eye, anamorphed
again. The other side shows the back of the eye, soemthing rarely seen,
the place behind which our reflection is in our eyeball. Whta is behind
a mirror or behind a reflection is a very interresting question - this
is where thinking starts. Teh hare in this image is used here as an
art historical reference tool - the har symbolises mischief, indicating
that something tricky is occuring! |
|
|
|
|
|